Noel Coward:
Noel Coward:
Don't believe me? We were put up at one of the town's highly prestigious resorts: to protect the guilty I'll call it the Monte Chingado. The place encapsulated what I'm talking about. Antlers and turquoise, that's the Taotian spirit:
Ooh, can we brand the dressers?
Yay, a turquoise pillow! Thing weighs about twenty-five pounds: you could smother a spouse with no hands. Our armadillo likes it, though:
Oh, good: art. Zombie horse seeking delicious brains, above our mini-bar:
Really, this place is where both virtuous Texans and sinful New Mexicans go when they die. It wasn't all trashy. There were actually some very nice touches in the conference rooms, dining areas and other classier sections. The water feature was pretty good. The bar had an enormous snake effigy over it. But everything was just wrong, wrong, wrong. This was amply demonstrated when we came back to our room and found on our pillow not a chocolate truffle or other such welcome offering, but a rose quartz. With a pamphlet expounding its vibrational effects on our circulatory, mental and reproductive systems. But I must observe that a lodging that offers healing crystals in a room full of antlers and cowhide is unclear on basic New-Agery.
Again, that's Taos for you.The next morning at a coffee shop, Mrs. P found a notice which pretty well encapsulates the whole town:
Will trade therapeutic body work for firewood.
One more illustration? How about some more art? Also from our room:
The inscription at the bottom:
Curators of modern art have such complicated problems, the poor things. Give me a good rousing performance of 4'33" any day.
To the MatterhornHardy likes these grim, elliptical finishes that set you down with a hollow thud. I'm still debating whether this one does anything for me. But mountaineering poems aren't that common, particularly if you don't count free verse in the Telluride Mountain Gazette as legitimately belonging to the genre. (Yes, I know, the lines seldom reach the right edge of the page. Nevertheless...) The four and seven refer to Edward Whymper's first ascent of the peak in 1865, with its four fatalities on the way down. As the saying goes, "The summit is optional, but descent is mandatory."Thirty-two years since, up against the sun,
Seven shapes, thin atomies to lower sight,
Labouringly leapt and gained thy gabled height,
And four lives paid for what the seven had won.
They were the first by whom the deed was done,
And when I look at thee, my mind takes flight
To that day's tragic feat of manly might,
As though, till then, of history thou hadst none.
Yet ages ere men topped thee, late and soon
Thou didst behold the planets lift and lower;
Saw'st, maybe, Joshua's pausing sun and moon,
And the betokening sky when Caesar's power
Approached its bloody end; yea, even that Noon
When darkness filled the earth till the ninth hour.--Thomas Hardy
From John Derbyshire's Readings page, always worthwhile if you crave a spot of verse.
Update: Here's some mighty fine Matterhorn for you.
In other news, we alpinism nerds can look forward to Nordwand. Someone on SummitPost claims it's slated for U.S. release in December; I hope that's correct. I'm not aware of any other mountaineering movies that depict a substantially earlier era of climbing. Hob-nailed boots, wool, rope around the waist: I also hope to see some English-language articles about the making of this one.