Odious and Peculiar

Philology and esoterica: scribblings, ravings and mutterings.

O&P's Current Pick:

Forging the Sampo

Odious' Links:

The Little Bookroom
The Pumpkin King
Larissa Archer
Inverted Iambs
Eve Tushnet
Pamela Dean
Kambodia Hotel
Pen and Paper

Charles Darwin's Beagle Diary
Deep-Sea News
NASA's Mars Website
Classics Online
Perseus Digital Library

Nine Scorpions
The Blithe Kitchen
Letter from Hardscrabble Creek
Arts & Letters Daily
About Last Night



Chas Clifton's Nature Blog
Rock Art Photo Blog
Girl on a Whaleship
Nature Lyrics Languagehat
Jabal al-Lughat
Laputan Logic
Strange Maps
Vladimir Dinets: Polymath Russian Adventurer
Virtual Tour of Almaty, Kazakhstan
Aerial Landscape Photography
USGS Earth As Art
Panoramic Aerial Maps of the American West

The Internet Bird Collection
Bird Families of the World
Ancient Scripts
The Aberdeen Bestiary Project
The Cephalopod Page
The Ultimate Ungulate
The Red Book of the Peoples of the Russian Empire
USGS Streamflow Data

Worthy Miscellany
Finno-Ugrian Music
Boojum Expeditions
American River Touring Association

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Thursday, March 31, 2011
Pyrard de Laval says in 1616: ‘(in Goa) they have no glass windows, instead very fine and straight oyster shells are used, inserted into wooden frames, allowing the light to come in as if it was of paper, as they are not as transparent as glass.'
Photographer Rajan Parrikar has some pictures of Goan nacre windows, though only from the outside, alas. I imagine that accurately rendering the quality of interior light filtered through the shells would be a consummate challenge for any photographer. It brings to mind the large sheets of mica used for window panes in Spanish missions in California, another effect I would love to see in person.

I highly recommend a look at Parrikar's blog and photo galleries. The twin poles of his world seem to be Goa and Iceland, an unusual combination to say the least, but he does excellent justice to both.

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